Mary Katrantzou‘s quintessential lampshade-like silhouettes and trompe l’oeil prints have evolved tenfold for fall. Images of pencils, cutlery, coat hangers, old-fashioned typewriters, and circular telephone dials were digitally stamped atop structured dresses with knitted details and flowy chiffon frocks. The continuation of the Mary Katrantzou saga has my spirits soaring high and almost has me forgetting that I recently missed out on her Topshop collaboration . . . WTF, I know.
Recommended in Collections
Christian Dior Fall Couture 2012
A series of rooms, in a Parisian venue, were blanketed with over a million luscious flowers . . . the scene was impeccably set for Raf Simon‘s debut collection for Christian Dior. Full skirted and […]
Designer Esin Ünlü enlisted photographer Isle Moore to capture her first couture collection, for Feline Blush, entirely under water. The mesmerizing and romantic images were inspired by French cinematography, which accentuate the fluidity and romanticism of the chiffon and satin […]