Mary Katrantzou‘s quintessential lampshade-like silhouettes and trompe l’oeil prints have evolved tenfold for fall. Images of pencils, cutlery, coat hangers, old-fashioned typewriters, and circular telephone dials were digitally stamped atop structured dresses with knitted details and flowy chiffon frocks. The continuation of the Mary Katrantzou saga has my spirits soaring high and almost has me forgetting that I recently missed out on her Topshop collaboration . . . WTF, I know.
Recommended in Collections
Frankly, My Dear . . .
Rarely do we ever share the same collection twice but Ulyana Sergeenko‘s spring couture lookbook is just too damn good not to swoon over it a second time. The hats, the gowns, the embroidered sunglasses, […]
Ulyana Sergeenko, editor at Glamour Russia, photographer, and now fashion designer, is currently one of my favorite fashion icons . Her unique, vintage, and ultra-feminine style is ridiculously glamorous and translates perfectly into her debut collection and stunning lookbook for […]