Mary Katrantzou‘s quintessential lampshade-like silhouettes and trompe l’oeil prints have evolved tenfold for fall. Images of pencils, cutlery, coat hangers, old-fashioned typewriters, and circular telephone dials were digitally stamped atop structured dresses with knitted details and flowy chiffon frocks. The continuation of the Mary Katrantzou saga has my spirits soaring high and almost has me forgetting that I recently missed out on her Topshop collaboration . . . WTF, I know.
Recommended in Collections
Christian Dior Fall Couture 2012
A series of rooms, in a Parisian venue, were blanketed with over a million luscious flowers . . . the scene was impeccably set for Raf Simon‘s debut collection for Christian Dior. Full skirted and […]
Stella Jean Spring 2012
Inspired by her Creole heritage and her upbringing in Rome, Italian-Haitian designer Stella Jean merges both cultures with traditional wax prints and modern shapes. Her spring collection has me completely consumed by wanderlust, daydreaming of traveling the world in Stella […]